{"id":1189,"date":"2014-11-15T15:12:11","date_gmt":"2014-11-15T13:12:11","guid":{"rendered":"http:\/\/ufukonen.com\/en\/?p=1189"},"modified":"2015-02-21T15:25:21","modified_gmt":"2015-02-21T13:25:21","slug":"atmm-2014","status":"publish","type":"post","link":"https:\/\/ufukonen.com\/en\/atmm-2014.html","title":{"rendered":"ATMM 2014"},"content":{"rendered":"<p><a href=\"https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM-2014_Poster_141021.jpg\" target=\"_blank\"><img loading=\"lazy\" class=\"alignleft wp-image-1198 size-medium\" src=\"https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM-2014_Poster_141021-212x300.jpg\" alt=\"ATMM-2014_Poster_141021\" width=\"212\" height=\"300\" srcset=\"https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM-2014_Poster_141021-212x300.jpg 212w, https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM-2014_Poster_141021-724x1024.jpg 724w, https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM-2014_Poster_141021.jpg 842w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a>Audio Technologies for Music and Media is an international and interdisciplinary conference that focuses on the various aspects of audio, audiovisual and music technologies for music and media, and, also, on the relationship between sound, music and image in both &#8216;traditional&#8217; and &#8216;new&#8217;\u00a0media.<\/p>\n<p>ATMM welcomes not only academics, professionals and students, but also all those who have interest in music, sound and media technologies.<\/p>\n<p>For news and updates please subscribe to the mailing list via the form at the end of his page and follow ATMM on\u00a0<a href=\"https:\/\/twitter.com\/atmmconference\" target=\"_blank\">Twitter<\/a> and\u00a0<a href=\"https:\/\/www.facebook.com\/atmm.conference\" target=\"_blank\">Facebook<\/a>.<\/p>\n<p>The 3rd ATMM International Conference (this year a three-day event) took place on 12-13 November 2014 at Bilkent University, Ankara, Turkey, and on 14 November 2014 at Bah\u00e7e\u015fehir University, Be\u015fikta\u015f, Istanbul, Turkey. Conference presenters and panelists came from eight countries, representing 24 universities and 17 companies.<a title=\"ATMM 2014 Registration\" href=\"http:\/\/atmm-conference.org\/?page_id=509\"><br \/>\n<\/a><\/p>\n<h3>ATMM 2014 Program\u00a0<a href=\"http:\/\/atmm-conference.org\/wp-content\/uploads\/2013\/03\/ATMM_2014_Program_14111001.jpg\" target=\"_blank\"><br \/>\n<\/a><\/h3>\n<h2 style=\"text-align: left;\">\u00a0<a href=\"https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM_2014_Program_14111001.jpg\" target=\"_blank\"><img loading=\"lazy\" class=\"aligncenter wp-image-1194\" src=\"https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM_2014_Program_14111001.jpg\" alt=\"ATMM_2014_Program_14111001\" width=\"500\" height=\"487\" srcset=\"https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM_2014_Program_14111001.jpg 926w, https:\/\/ufukonen.com\/en\/wp-content\/uploads\/ATMM_2014_Program_14111001-300x292.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/h2>\n<p>&nbsp;<\/p>\n<h3>ATMM 2014 Opening Ceremony and Keynote<\/h3>\n<p><img loading=\"lazy\" class=\" wp-image-552   alignleft\" src=\"http:\/\/atmm-conference.org\/wp-content\/uploads\/2013\/03\/Pieter_Snapper_.jpg\" alt=\"Pieter Snapper\" width=\"196\" height=\"242\" \/><\/p>\n<p>ATMM 2014 opened on Wednesday, November 12, at Bilkent University, Faculty of Art, Design and Architecture, with remarks by Bilkent University Rector Prof. Dr. Abdullah Atalar, Ufuk \u00d6nen and Teoman Pasinlio\u011flu.<\/p>\n<p>Keynote speech of ATMM 2014, titled\u00a0<em><strong>Rediscovering Creative Sound Engineering: a Challenge to Producers, Engineers, Artists, and Educators<\/strong><\/em>, was delivered by Pieter Snapper.<\/p>\n<p>Snapper is the founder of the MIAM studios and co-founder of Babajim Istanbul Studios &amp; Mastering, on contemporary opera production techniques. Snapper is a mastering engineer, producer, and composer of contemporary classical and electronic music. His works have been played in the U.S., Europe, and Asia. He has received awards from BMI, ASCAP, UC Berkeley, the Union League Foundation, and commissions from the Fromm Foundation at Harvard University, Yamaha Corporation of America, the ensemble Eighth Blackbird (three time Grammy-winners), and the Memphis Symphony Orchestra.<\/p>\n<p>&nbsp;<\/p>\n<h3>ATMM 2014 Featured Presentations and Events<\/h3>\n<p><strong>Barry Marshall<\/strong> (New England Institute of Art)<br \/>\nStrategies for Dealing with the Digital Disruptions of the Recording Industry<br \/>\n12 November 2014 &#8211; 14:30-16:00 &#8211; Ankara<\/p>\n<p><strong>Barry Marshall<\/strong> (New England Institute of Art)<br \/>\nWorkshop<br \/>\n13 November 2014 &#8211; 15:30-17:30 Ankara<br \/>\n14 November 2014 &#8211; 16:00-18:00 Be\u015fikta\u015f, \u0130stanbul<\/p>\n<p><strong>Tolga Tem<\/strong> (Sebit &amp; Middle East Technical University)<br \/>\nThe Art of Film Scoring<br \/>\n12 November 2014 &#8211; 16:30-17:30 Ankara<\/p>\n<p><strong>Ali Cenk Gedik<\/strong> (Dokuz Eyl\u00fcl University)<br \/>\nAudio Engineering as a Musical Performance: Towards an Ethnomusicology of Record Production<br \/>\n13 November 2014 &#8211; 10:00-10:30 Ankara<\/p>\n<p><strong>Cumhur Erkut<\/strong> (Aalborg University)<br \/>\nSound and Music Computing: A Nordic Perspective<br \/>\n13 November 2014 &#8211; 11:30-12:30 Ankara<\/p>\n<p><strong>Meet the Authors<\/strong><br \/>\nGer\u00e7ek Dorman, Arda Eden, Cihan I\u015f\u0131khan, Ufuk \u00d6nen, Teoman Pasinlio\u011flu, K\u00fcr\u015fat Pasinlio\u011flu<br \/>\n13 November 2014 &#8211; 12:30-13:30 Ankara<\/p>\n<p><strong>Audio Tech Startup Forum<\/strong><br \/>\n<a href=\"http:\/\/beatografi.com\/\" target=\"_blank\">Beatografi<\/a>, <a href=\"http:\/\/cubic.fm\/\" target=\"_blank\">Cubic.fm<\/a>, <a href=\"http:\/\/www.easyguitarplay.com\/\" target=\"_blank\">EasyGuitar<\/a>, <a href=\"http:\/\/www.kv331audio.com\/\" target=\"_blank\">KV331\u00a0Audio\u00a0<\/a>\u00a0and\u00a0<a href=\"http:\/\/seshouse.com\/\" target=\"_blank\">Seshouse<\/a><br \/>\n13 November 2014 &#8211; 13:00-15:00 Ankara<\/p>\n<p><strong>Soundaction<\/strong><br \/>\n<em>&#8220;Imagine a world where your voice is heard, where everything is brighter.&#8221;<\/em><br \/>\nInstallation by Ceren Kurt and Arzu Karata\u015f<br \/>\n13 November 2014 &#8211; 16:30-17:30 Ankara<\/p>\n<p><strong>Current and Future States of the Audio Industry in Turkey<\/strong><br \/>\nEnder Balc\u0131 (Flat M\u00fczik ve AudioCommando Community &amp; Network),\u00a0G\u00f6rkem \u00c7elikbilek (Asimetrik), G\u00f6khan Dene\u00e7 (Bah\u00e7e\u015fehir University), Cumhur Erkut (Aalborg University), Samim Mutluer (SF), Ufuk \u00d6nen (Bilkent University), Tolga Tolun (SAE Institute), \u00c7a\u011fan Tunal\u0131 (Noiseist), Y\u0131lmaz Yeniyol (iPoint)<br \/>\n14 November 2014 &#8211; 13:30-15:30 Be\u015fikta\u015f, \u0130stanbul<\/p>\n<p>&nbsp;<\/p>\n<h3>ATMM 2014 \u00a0<a href=\"http:\/\/atmm-conference.org\/wp-content\/uploads\/2013\/03\/roland.jpg\"><img loading=\"lazy\" class=\"alignnone  wp-image-560\" src=\"http:\/\/atmm-conference.org\/wp-content\/uploads\/2013\/03\/roland.jpg\" alt=\"Roland\" width=\"115\" height=\"18\" \/><\/a>\u00a0Hall<\/h3>\n<p>12-13 November 2014 &#8211; Ankara<\/p>\n<p>Tolga \u00d6zo\u011flu (Roland Product Specialist), Ba\u015far \u00dcnder (Roland Product Specialist), Do\u011fa\u00e7 Titiz (Roland T\u00fcrkiye V-Drums Artist), Can T\u00fcz\u00fcn (Roland T\u00fcrkiye V-Drums Artist), Ger\u00e7ek Dorman (Roland T\u00fcrkiye V-Drums Artist), \u015einasi Celehiro\u011flu (Demonstrator)<\/p>\n<ul>\n<li>Guitar &amp; synthesizer: searching for new guitar sounds<\/li>\n<li>Using electronic instruments in live performance, recording and mixing: AIRA, V-Drums and Handsonic<\/li>\n<li>New directions in music technologies: SuperNATURAL, Analogue Circuit Behaviour (ACB), Multi Dimensional Processing (MDP)<\/li>\n<li>Audio-Visual Technologies: Recording technologies and using MIDI in live video art Performances<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>ATMM 2014 Paper Sessions<\/h3>\n<p><strong>Session A (<\/strong>12 November &#8211; 14:30-15:30 &#8211; Ankara)<\/p>\n<ul>\n<li>Sparse Solutions in Audio Inpainting &#8211; Mehmet Erdal \u00d6zbek (\u0130zmir University Electronics and Communications Engineering)<\/li>\n<li>A Survey Of Pitch Correction Methods &#8211; Zeki Hayran, Ali Burak Par\u0131m, Mehmet Sayg\u0131n Seyfio\u011flu (TOBB University of Economics and Technology)<\/li>\n<\/ul>\n<p><strong>Session B<\/strong> (12 November &#8211; 16:00-17:30 &#8211; Ankara)<\/p>\n<ul>\n<li>You Are a Target Market: Using News Media and Advertising to Create Generative Sound and Visual Art -Alayna Aine Hughes (Berklee College of Music, Valencia)<\/li>\n<li>Music and Audio Production for Documentary Films: Over the example of a Particular Documentary: Y\u0131lan Hikayeleri (Serpent Stories) &#8211; Cihan I\u015f\u0131khan (Dokuz Eyl\u00fcl University)<\/li>\n<li>Theatrical Time Through Audio Technology: Steve Reich and Beryl Korot\u2019s Three Tales &#8211; Jason Jedlicka (Indiana University)<\/li>\n<\/ul>\n<p><strong>Session C<\/strong> (13 November &#8211; 10:00-11:30 &#8211; Ankara)<\/p>\n<ul>\n<li>Community Radio, Industrial Involvement: A Case Study &#8211; Patrick Quinn (Glasgow Caledonian University)<\/li>\n<li>Auralization as a Sound Quality Assessment Tool &#8211; Konca \u015eaher (Kadir Has University), Feridun \u00d6zi\u015f (Dokuz Eyl\u00fcl University)<\/li>\n<li>Audio Feature Extraction for Exploring Turkish Makam Music &#8211; Hasan Sercan Atl\u0131 (Bah\u00e7e\u015fehir University), Burak Uyar (Bah\u00e7e\u015fehir University), Sertan \u015eent\u00fcrk (Universitat Pompeu Fabra-Barcelona), Bar\u0131\u015f Bozkurt (Ko\u00e7 University), Xavier Serra (Universitat Pompeu Fabra-Barcelona)<\/li>\n<\/ul>\n<p><strong>Session D<\/strong> (13 November &#8211; 11:00-12:30 &#8211; Ankara)<\/p>\n<ul>\n<li>Meniere\u2019s Disease and the Making of Discord (Concerto for Meniere\u2019s Disease and Electroacoustic Orchestra) &#8211; Robert Gross (University of North Texas), Kenneth Downey (Independent Researcher)<\/li>\n<li>Creative Use of Synthestration and MIDI Virtual Instruments in a Jazz Recording and Film Scoring Context &#8211; Daniel Walzer (University of Massachusetts-Lowell)<\/li>\n<li>Do-It-Yourself Philosophy and Electronic Music Applications &#8211; Mustafa Karakaplan, Arda Eden, Halil \u0130mik (\u0130n\u00f6n\u00fc University)<\/li>\n<\/ul>\n<p><strong>Session E<\/strong> (13 November &#8211; 13:30-15:00 &#8211; Ankara)<\/p>\n<ul>\n<li>Establishing a Signal Processing Methodology for Multitrack Mixing Education &#8211; C. Bark\u0131n Engin (Bah\u00e7e\u015fehir University)<\/li>\n<li>The Current Challenges Facing the Sound Designers and Music Composers for Film, and Modern Workflow Solutions for Today\u2019s Requirements &#8211; \u0130lter Kalkanc\u0131 (MMA &#8211; Modern Music Academy)<\/li>\n<li>Indie Games: A Case Study &#8211; Massimo Avantaggiato (Conservatorio G. Verdi Milano)<\/li>\n<\/ul>\n<p><strong>Session F<\/strong> (13 November &#8211; 15:30-17:30 &#8211; Ankara)<\/p>\n<ul>\n<li>\u201cWallpaper Music\u201d and Sonic Spices: Toward an Aesthetics of Sound Design in In the Mood for Love &#8211; Timmy Chen Chih-Ting (University of Hong Kong)<\/li>\n<li>A Transmedial Approach to the Distribution of Music in Online Environments: The Hype Machine &#8211; Bu\u011fu Melis \u00c7a\u011flayan (\u0130stanbul Bilgi University)<\/li>\n<li>Messiaen, Composer of \u2018Awe\u2019: The Proto-Spectralist Pursuit of Divine Fear in Apparition de l&#8217;\u00c9glise \u00e9ternelle &#8211; Miriam Piilonen (Northwestern University)<\/li>\n<li>The Secret Theatre Revisited: Eavesdropping with Locative Audio &#8211; Pieter Verstraete (\u0130stanbul Bilgi University Istanbul &amp; University of Exeter)<\/li>\n<\/ul>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u00a0<\/span><\/p>\n<h3><b>ATMM 2014 Steering Committee<\/b><\/h3>\n<ul>\n<li>Ufuk \u00d6nen (Bilkent University)<\/li>\n<li>Teoman Pasinlio\u011flu (Independent Researcher)<\/li>\n<li>Mustafa Ertan (Interelektro)<\/li>\n<li>Ahmet G\u00fcrata (Bilkent University)<\/li>\n<li>B\u00fclent B\u0131y\u0131ko\u011flu (KV331 Audio)<\/li>\n<li>K\u00fcr\u015fat Pasinlio\u011flu (Voispectra)<\/li>\n<li>Yusuf Ak\u00e7ura (Bilkent University)<\/li>\n<\/ul>\n<p><b>ATMM 2014 Steering Committee Associate Members<\/b><\/p>\n<ul>\n<li>\u0130pek Altun (Bilkent University)<\/li>\n<li>Bilge Mira\u00e7 At\u0131c\u0131 (Bah\u00e7e\u015fehir University)<\/li>\n<li>Giray Bayer (Bilkent University)<\/li>\n<li>Ger\u00e7ek Dorman (KV331 Audio)<\/li>\n<li>Banu \u015eahin (Detmold University of Music)<\/li>\n<li>Aycan Y\u00fccel (Bilkent University)<\/li>\n<\/ul>\n<p><b>ATMM 2014 Review Board<\/b><\/p>\n<ul>\n<li>Bar\u0131\u015f Bozkurt (Bah\u00e7e\u015fehir University)<\/li>\n<li>John Krivit (The New England Institute of Art)<\/li>\n<li>Tolga Tem (Sebit &amp; METU)<\/li>\n<li>Pieter Verstraete (Bilgi University &amp; University of Exeter)<\/li>\n<\/ul>\n<p><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u00a0<\/span><\/p>\n<p><b style=\"line-height: 1.714285714; font-size: 1rem;\">Contact<\/b><\/p>\n<p>Bilkent University<br \/>\n<span style=\"line-height: 1.714285714;\">Faculty of Art, Design and Architecture<br \/>\n<\/span><span style=\"line-height: 1.714285714; >Dept. of Communication and Design<br \/>\n<\/span><span style=\"line-height: 1.714285714; \">Bilkent, 06800 Ankara, Turkey<br \/>\n<\/span><span style=\"line-height: 1.714285714; \">Phone +90-312-290-1749<\/span><br \/>\n<span style=\"line-height: 1.714285714; \">Fax +90-312-290-2736<\/span><br \/>\n<span style=\"line-height: 1.714285714; \">info@atmm-conference.org<\/span><\/p>\n<p><!-- Begin MailChimp Signup Form --><\/p>\n<p>&nbsp;<\/p>\n<div id=\"mc_embed_signup\">\n<form id=\"mc-embedded-subscribe-form\" class=\"validate\" action=\"http:\/\/atmm-conference.us7.list-manage.com\/subscribe\/post?u=07c1d423d59fd36fe893b2140&amp;id=4402148eb3\" method=\"post\" name=\"mc-embedded-subscribe-form\" novalidate=\"\" target=\"_blank\"><label for=\"mce-EMAIL\">Subscribe to ATMM mailing list to receive news, updates and calls for papers.<\/label><br \/>\n<input id=\"mce-EMAIL\" class=\"email\" name=\"EMAIL\" required=\"\" type=\"email\" value=\"\" placeholder=\"email address\" \/><br \/>\n<!-- real people should not fill this in and expect good things - do not remove this or risk form bot signups--><\/form>\n<\/div>\n<div style=\"position: absolute; left: -5000px;\"><input name=\"b_07c1d423d59fd36fe893b2140_4402148eb3\" type=\"text\" value=\"\" \/><\/div>\n<div class=\"clear\"><input id=\"mc-embedded-subscribe\" class=\"button\" name=\"subscribe\" type=\"submit\" value=\"Subscribe\" \/><\/div>\n<p><!--End mc_embed_signup--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audio Technologies for Music and Media is an international and interdisciplinary conference that focuses on the various aspects of audio, audiovisual and music technologies for music and media, and, also, on the relationship between sound, music and image in both &#8216;traditional&#8217; and &#8216;new&#8217;\u00a0media. ATMM welcomes not only academics, professionals and students, but also all those [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1198,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ATMM 2014 &mdash; Ufuk \u00d6nen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ufukonen.com\/en\/atmm-2014.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ATMM 2014 &mdash; Ufuk \u00d6nen\" \/>\n<meta property=\"og:description\" content=\"Audio Technologies for Music and Media is an international and interdisciplinary conference that focuses on the various aspects of audio, audiovisual and music technologies for music and media, and, also, on the relationship between sound, music and image in both &#8216;traditional&#8217; and &#8216;new&#8217;\u00a0media. 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